Mondays with Marly - Three Metal Collage

Monday, Jul 26 2010 08:08 AM | Permalink
BY GUEST BLOGGER MARLY
You can see more of Marly's work at Studio 28 - Waterloo,  Canada.

Oh dear! We’ve been so busy with summer projects and get-aways that I almost forgot that its THIS Monday that my next guest blog is due. Where does the time go? Its been fun having time for new projects like updating the little kitchenette in the front apartment and putting in a perennial garden in the front of the house. And we had a little get away to see Sting perform with the London (England) Symphony Concert Orchestra here in London (Ontario) on Wednesday night. Wow! What an amazing concert!

Not much time for the studio these days, but I’ve managed to create a few new pieces in the last while that I thought I’d share with you. I’ve grown to love working with copper and bronze clay along with fine silver clay. Although bronze and copper can be a bit more difficult to work with sometimes, the result of three metal colors in one piece is really worth it. Both Angie and I have found working with Hadar Jacobson’s bronze and metal powders to be our preferred choice. You can mix just the amount that you need, and the clay when it is first mixed is supple and very easy to work and manipulate. I currently am working with the three metals in a collage form that looks like a little temple. I like the form and hope there is lots of room for playing with texture and shapes within this format. Here are some of my initial pieces using this format.


I purchased some tree stamps at the art clay conference last year and decided to make a few pieces using this tree design.





The next two pieces incorporate some “Lake Huron Series” earrings that I had left in my “odds and ends” box.





I’m looking forward to playing with more copper, bronze, and silver soon. Just a few more projects....like clearing some space in the studio and I’ll be on my way!
| Angie and Marly, Studio 28, mondays with marly, copper bronze silver jewelry, copper clay, silver clay, mixed metals jewelry, bronze clay
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Who's heading into the kiln?

Monday, Nov 16 2009 05:20 PM | Permalink
A little sneak preview...

Who do you think is just heading into the kiln?


Take a guess.....


Go on...give it a try.... The answer will be revealed soon.....
| surprise, competition, artisan silver, guess, silver clay, kiln
Comments (3)

Merry Go Round - explain how you do your art/craft

Friday, Feb 27 2009 02:00 AM | Permalink

It's time for another ride on the merry-go-round! Jump on and join a group of artists/crafts-women as they link around the world and tell you a little about their lives in art and craft.

This month's question that myself and 6 other women will answer is " Explain how you do your craft."

 To explain how I make my silver, I decided to make a piece and take photographs of the process along the way - better to see than read all my words. As you may have read in yesterday's post, I decided to make a frog for our little "demo".

1. The first stage is choosing the type of metal clay. For this project I used standard precious metal clay. Metal clay is comprised of microscopic particles of silver suspended in a binder which give it the feel of clay. There are two brands of metal clay and within those, the clays have different firing schedules and different shrinkage rates. I like using the "standard" clay best for sculptural pieces - it has a nice feel and good workability. It shrinks about 30% when it goes it in the kiln.


2. So I pull some clay off and start to shape it with my hands. Before starting, I'd looked at some photos online of frogs to get an idea of their anatomy - but as this wasn't an anatomical study, it didn't have to be exact! Other times I will draw a picture of what I'm planning or make a model in polymer clay to try it out. For the frog, I just dived in and started! Here you can see the beginnings of a frog - body, eyes and two front legs with feet.



3. The back legs were actually quite tricky to figure because they fold back on themselves a couple of times ...so a little jiggling with the clay and I gently attach them. At this stage in the photo, everything is still soft clay and very delicate. It starts to dry out quickly so you have to work relatively fast. I think one of the best lessons I ever learned with working with metal clay is that this "wet" shape can be really rough. You just tidy it up when it's dry and firmer. Just get a good outline and don't try to make it perfect right now. For other more standard shape projects I would let each piece dry first and then assemble - for example boxes or houses, but with all the differing angles and shapes on animals and figures, I find assembling it all wet to be the best method.

4. Next, the froggy gets to warm up a little on a coffee mug warmer. This dries him out. Before I work on him again, I want him to be really dry. While a piece like this is drying, I normally start on the "wet" phase of another project - (and drink my coffee as there is no longer room on the warmer for it:-D).






5. Once he is dry, this is now the most time consuming part of the project. As the shape is rough, I then go over the piece and reinforce all the joints and seams and build up the details of the shape where necessary. For this froggie, his knees needed a lot of reinforcement - which is just adding clay and making sure each seam is tight with no holes. He then goes back on the coffee warmer. Once he seems structurally sound, then comes the filing, sanding and perfecting part. I use lots of different things for this, some metal files, some papers, some boards...changing what I use to find things that can fit in the tiny crevices to sand the dry clay down. Whilst the clay is dry, it is still quite delicate. At this stage, I also drilled in his two little pupils for his eyes and set in a bail so that he could hang as a necklace. This photo shows the sanded frog - ready for his next step.


6. Once I make the eyes on a piece, that's when I seem to start talking to my pieces. So now I tell him that he may get a little hot for a while, but it'll all be OK in the end and he'll be a lot stronger. And so little froggie goes into the kiln at 1650 degrees Fahrenheit for 2 hours.....and I keep my fingers crossed. This is the time when the binder part -the clay bit - burns off, and so froggie shrinks and all the tiny silver particles anneal and fuse together.


7. Once out of the kiln, froggie gets a little check over, then a polish, he's dunked in a liver of sulphur solution which adds a black patina to him. The patina is then rubbed off from most parts, but stays in the recessed areas to show the definition, eg his eyes etc. He's polished and at this stage I can leave him shiny or give him a soft brushed finish. As frogs need to stay wet I decided he needed a shiny finish.


8. So he then goes on a chain, and I check that he hangs OK and is comfortable to wear. He then gets a name and in this case, the necklace also got a name. And so Findlay the frog is born. As I was making him, I came up with a name for the necklace as "Stuck on you" - as he will hang with his little 'sticky' feet pads on you! He is also what I would call a "wearer's necklace". Remember those advertisements for BMW's that always said they were "drivers' cars" meaning the real joy is for the driver....??? Well, with this necklace, I think the real joy is for the wearer because as you the wearer look down on the necklace, you see his cute little eyes and smiling face looking up at you!!

Then Findlay gets his photo taken in a few different poses and he starts dreaming of where his new home will be. I think it was at this time that he started his first little frog song - looking for some others to join his chorus........

If you have any questions about the process - do feel free to ask. Happy to tell more or even to ask Findlay any questions.......

More on Findlay and how he got his name and the necklace name tomorrow.

Take a look at how the other artists on the merry go round do their creations.......They will post either today or over the weekend so if you don't see their post - do check back later....

http://fancypicnic.blogspot.com
http://lilypangart.blogspot.com
http://florcitasart.blogspot.com
http://easterya.blogspot.com
http://lebarduvent.blogspot.com
http://blog.glamasaurus.com


| metal clay, Findlay, silver frog, PMC step by step, step by step, frog necklace, silver clay
Comments (11)

BronzClay (Trademark) - or Bronze Clay

Tuesday, Jul 15 2008 05:39 PM | Permalink
So I flew to Chicago yesterday then rented a car - ( why do they always want to give you a minvan when you order a compact??????!!!!!) and drove to Purdue university - West Lafayette in Indiana where I will be for the week for a conference and workshop. This morning I got up at the equivalent of 5am California time and it did not feel good! Anyhow - went to my first day of a two day workshop with Celie Fago - using the brand new product BronzClay. It is just being launched this week here at the conference. It is like the silver clay that I use for my creations - but obviously, is bronze! Only a handful people have ever used it and they were the testers......but it seems that we are really testers too. There aren't answers to the many questions we have - it is new stuff and we need to try and see if something works. Obviously, the testers have come along way and it was really helpful to hear from Celie about her experiments and see her beautiful results. Very inspiring.

Bronzclay is 11% tin and 89% copper along with water and binding materials. And we had a whole day to play with it. Here is a photo of some of things I made - pre-firing and finishing.
Apologies for the photo quality - but I only had my phone with me. Anyhow - you will see some flatter pieces, some curved pieces and some more sculptural pieces (yes, a Bronze version of Quentin sneaked in....if he works out). One of the biggest differences between Bronzclay and silver clay is that when you fire it, you need to deprive it of oxygen. All pieces are therefore fired in activated carbon in the kiln. The whole firing process takes about 9 hours - and so the pieces above are "cooking" as I type.

Here is a photo of the pieces created by the class and just going into their stainless steel container with the carbon.
As bronze is cheaper than silver - alot of us wanted to work larger than normal - without that fear of "wasting" money if it didn't turn out well that goes along with using silver. To that end - Quentin quail in bronze today may be too large to fully sinter in the kiln....but you don't know until you try.

There are two types of activated carbon you can use and depending on which you use, you get different patinas. And I think it is the patinas which are going to make this such a popular product - not only for the artist but for the buyer as well...the lovely green and blues and golds......Hopefully I'll get photos tomorrow to share with you.

Its just great to be at the forefront of new products. I have a whole day to play again tomorrow - so fingers crossed that some of our experiments have worked! We'll learn from them, whatever happens!
| Celie Fago, jewelry, bronzclay, silver clay
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